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Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les

In Mechanical Music Nov. 9: starting 2pm CET - Of...

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Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 1 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 2 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 3 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 4 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 5 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 6 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 7 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 1 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 2 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 3 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 4 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 5 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 6 aus 7
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810Playing "Ranz les - Bild 7 aus 7
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Köln
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810
Playing "Ranz les Vaches" and "Rule Britannia", with large pinned barillet housing the spring, notation lines, four-winged governor and stack of 42 teeth (complete, one expertly replaced), in fine engine-turned gold case with engraved dedication "Souvenir d'Amitié et de Reconnaissance" in shield-shaped cartouche relived by chased and engraved borders of enameled cobalt flowers and foliage, the lip and base with corresponding motifs, the corners decorated with stylized thistles, with winding arbour and stop/start slide engraved "S/M" on the left side and tune-change slide engraved "A/S" on the back, the polished interior stamped "HN" for Henri Neisser, wd. 3 1/8 x 2 in. (8 x 5 cm), cylinder approx. 1 1/8 in. (27,6 x diameter 17 mm), not opened for inspection, excellent restored playing condition, tunes play for around 40 seconds. With key. - Literature: Luuk Goldhoorn & Niko Wiegman, "A Rare and Remarkable Musical Snuff Box" in: "The Music Box" (MBSGB), vol. 27, no. 4 (Winter 2015), pp. 131-133; Arthur Ord-Hume (1995), "The Musical Box, a Guide for Collectors", p. 66, for a similar (but smaller) movement signed "Fs. Nicole et Meylan". - As Goldhoorn notes, the term barillet is usually reserved for stacked-comb movements in which the length of the cylinder is less than its diameter. Although possessing characteristics of a barillet arrangement, the length of the cylinder qualifies this piece rather as an early transitional mechanism. The comb too presents remarkable technical features: each of the 42 teeth is different in shape and tone but equal in length and the position of its tip. - The movement is not wound from the underside, as is customary on a musical snuff box, but from the side and the arbor is artfully concealed behind a gold cover operated by a minute sprung pin. While the letters "S/M" on the stop/start slide stand for "Silence" and "Musique", Goldhoorn argues that the letters "A/S" on the tune-change slide signify "Anglais" and "Suisse" - perhaps a reference to the choice between traditional Swiss and English melodies. As Goldhoorn notes: "The combination of a Swiss and an English tune on a snuff box, which on its lid has the text ‘Souvenir or Friendship and Recognition’ (the word reconnaissance an old spelling of modern reconnaissance) invites speculation". - An exhibition-quality presentation piece.
Zustand: (2/2)


Exzellente emaillierte Gold-Tabatiére (18 Karat) mit Musikwerk, um 1810
2 Melodien, "Ranz les Vaches" und "Rule Britannia", großes Barillet-Musikwerk, Stifte auf dem Federgehäuse, Notationslinien, 42 gestapelte Tön (komplett, 1 Ton professionell repariert), Geschwindigkeitsregler mit 4 Windflügeln, guillochiertes Goldgehäuse, in schildförmiger Kartusche eingravierte Widmung "Souvenir d'Amitié et de Reconnaissance", umgeben von ziselierten und gravierten Bordüren aus emaillierten kobaltblauen Blüten und Blättern, Rand und Sockel mit entsprechenden Motiven, Ecken mit stilisierten Disteln, Startschieber graviert "S/M" (Silence/Musique), Schieber für den Melodienwechsel graviert "A/S" (Anglais/Suisse), innen poliert, gepunzt mit "HN" für Henri Neisser, Gehäusemaße 8 x 5 cm, Walzenbreite 27,6 mm, Ø 17 mm, nicht zur Kontrolle geöffnet, sehr gut restaurierter und spielender Zustand, jede Melodie spielt für ca. 40 Sekunden. Mit Schlüssel. - Literatur: Luuk Goldhoorn & Niko Wiegman, "A Rare and Remarkable Musical Snuff Box" in: "The Music Box" (MBSGB), Ausgabe 27, Nr. 4 (Winter 2015), S. 131-133; Arthur Ord-Hume (1995), "The Musical Box, a Guide for Collectors", S. 66, für eine ähnliche (aber kleinere) Spieluhr, signiert "Fs. Nicole et Meylan". - Wie Goldhoorn bemerkt, ist der Begriff "Barillet" normalerweise für Werke mit gestapelten Töne reserviert, bei denen die Länge des Zylinders kleiner als sein Durchmesser ist. Obwohl dieses Werk die Eigenschaften einer Barillet-An ordnung vorweist, deutet die Länge des Zylinders eher auf eine frühe Übergangsbauweise hin. Auch der Kamm weist bemerkenswerte technische Merkmale auf: Jeder der 42 Zähne ist in Form und Ton unterschiedlich, aber in Länge und Position seiner Spitze gleich. - Museumsqualität!
Condition: (2/2)
Exceptional 18-Carat Gold and Enamel Musical Pre sentation Snuff Box, c. 1810
Playing "Ranz les Vaches" and "Rule Britannia", with large pinned barillet housing the spring, notation lines, four-winged governor and stack of 42 teeth (complete, one expertly replaced), in fine engine-turned gold case with engraved dedication "Souvenir d'Amitié et de Reconnaissance" in shield-shaped cartouche relived by chased and engraved borders of enameled cobalt flowers and foliage, the lip and base with corresponding motifs, the corners decorated with stylized thistles, with winding arbour and stop/start slide engraved "S/M" on the left side and tune-change slide engraved "A/S" on the back, the polished interior stamped "HN" for Henri Neisser, wd. 3 1/8 x 2 in. (8 x 5 cm), cylinder approx. 1 1/8 in. (27,6 x diameter 17 mm), not opened for inspection, excellent restored playing condition, tunes play for around 40 seconds. With key. - Literature: Luuk Goldhoorn & Niko Wiegman, "A Rare and Remarkable Musical Snuff Box" in: "The Music Box" (MBSGB), vol. 27, no. 4 (Winter 2015), pp. 131-133; Arthur Ord-Hume (1995), "The Musical Box, a Guide for Collectors", p. 66, for a similar (but smaller) movement signed "Fs. Nicole et Meylan". - As Goldhoorn notes, the term barillet is usually reserved for stacked-comb movements in which the length of the cylinder is less than its diameter. Although possessing characteristics of a barillet arrangement, the length of the cylinder qualifies this piece rather as an early transitional mechanism. The comb too presents remarkable technical features: each of the 42 teeth is different in shape and tone but equal in length and the position of its tip. - The movement is not wound from the underside, as is customary on a musical snuff box, but from the side and the arbor is artfully concealed behind a gold cover operated by a minute sprung pin. While the letters "S/M" on the stop/start slide stand for "Silence" and "Musique", Goldhoorn argues that the letters "A/S" on the tune-change slide signify "Anglais" and "Suisse" - perhaps a reference to the choice between traditional Swiss and English melodies. As Goldhoorn notes: "The combination of a Swiss and an English tune on a snuff box, which on its lid has the text ‘Souvenir or Friendship and Recognition’ (the word reconnaissance an old spelling of modern reconnaissance) invites speculation". - An exhibition-quality presentation piece.
Zustand: (2/2)


Exzellente emaillierte Gold-Tabatiére (18 Karat) mit Musikwerk, um 1810
2 Melodien, "Ranz les Vaches" und "Rule Britannia", großes Barillet-Musikwerk, Stifte auf dem Federgehäuse, Notationslinien, 42 gestapelte Tön (komplett, 1 Ton professionell repariert), Geschwindigkeitsregler mit 4 Windflügeln, guillochiertes Goldgehäuse, in schildförmiger Kartusche eingravierte Widmung "Souvenir d'Amitié et de Reconnaissance", umgeben von ziselierten und gravierten Bordüren aus emaillierten kobaltblauen Blüten und Blättern, Rand und Sockel mit entsprechenden Motiven, Ecken mit stilisierten Disteln, Startschieber graviert "S/M" (Silence/Musique), Schieber für den Melodienwechsel graviert "A/S" (Anglais/Suisse), innen poliert, gepunzt mit "HN" für Henri Neisser, Gehäusemaße 8 x 5 cm, Walzenbreite 27,6 mm, Ø 17 mm, nicht zur Kontrolle geöffnet, sehr gut restaurierter und spielender Zustand, jede Melodie spielt für ca. 40 Sekunden. Mit Schlüssel. - Literatur: Luuk Goldhoorn & Niko Wiegman, "A Rare and Remarkable Musical Snuff Box" in: "The Music Box" (MBSGB), Ausgabe 27, Nr. 4 (Winter 2015), S. 131-133; Arthur Ord-Hume (1995), "The Musical Box, a Guide for Collectors", S. 66, für eine ähnliche (aber kleinere) Spieluhr, signiert "Fs. Nicole et Meylan". - Wie Goldhoorn bemerkt, ist der Begriff "Barillet" normalerweise für Werke mit gestapelten Töne reserviert, bei denen die Länge des Zylinders kleiner als sein Durchmesser ist. Obwohl dieses Werk die Eigenschaften einer Barillet-An ordnung vorweist, deutet die Länge des Zylinders eher auf eine frühe Übergangsbauweise hin. Auch der Kamm weist bemerkenswerte technische Merkmale auf: Jeder der 42 Zähne ist in Form und Ton unterschiedlich, aber in Länge und Position seiner Spitze gleich. - Museumsqualität!
Condition: (2/2)

Mechanical Music Nov. 9: starting 2pm CET - Office Antiques / Science & Technology / Fine Toys & Automata Nov. 10: starting 10am CET

Auktionsdatum
Ort der Versteigerung
Otto-Hahn-Straße 10
Köln
50997
Germany

Generelle Versandinformationen vom Auktionshaus verfügbar

Local Pick-Up, In-House Shipping

Wichtige Informationen

21.8 % buyer's premium on the hammer price
19 % VAT on buyer's premium

3 % internet surcharge plus VAT

AGB

Auction conditions

 

1)   The auction is carried out voluntarily under foreign name and on account of the customer.

 

2)   The goods to be sold in the auction can be examined and checked at determined times before the auction – under the full responsibility and risk of the interested client. They will be put up for auction in the condition as they are without any liability for visible or hidden defects as well as for attributes; later claims of any kind cannot be taken into consideration. The descriptions in the catalogue are made to the best of our knowledge, but they are no guaranteed attributes in the sense of § 459 and following BGB. – Information ref. § 26 UStR is assured. – No right of return of any sold item, therefore please use the advantage of the previewing (also by your friends).

 

3)   Normally the bids are increased in steps of 10 % of the initial price with a minimum of € 5.–. The auctioneer can deviate from this regulation in particular cases. The knocking down is done if no higher offer is made after the third repetition of the highest offer and if the limit price has been achieved.

 

4)   The auctioneer can combine numbers, separate them, can offer them out of the sequence or can withdraw them. The bidding is done by showing the bidding number or by a written offer.

 

5)   The auctioneer can refuse an offer; in this case the offer given right before remains binding. In case several per­sons make the same offer, the knocking down is decided by lot. In case of identical written offers, the computer makes the decision to the benefit of the first offer received. Decisive in this case is the point of time of its entry. If there is a disagreement on a knocking down or if an offer is made in time has been dis­regarded, the auctioneer can all the same knock down this bid and can follow-up the rights resulting out of this. He can also knock down to the next lowest bid or can start again with the initial bid of this lot.

 

6)   The knocking down is binding. The goods must be im­mediately paid. The knocking down transfers the risk of possible losses, damages, mistakes to the purchaser. Each bidder buys in his own name and for his own account.

 

7)  A premium of 21.8% plus 3% Live transaction fee has to be paid on the knocking down price. 19% tax has to be paid on the surcharge, i.e. the total surcharge amounts to 29.51%. The entire amount, which has to be paid by the purchaser - all bank charges on buyer's behalf - is immediately due and has either to be settled in cash, international Money order, wire transfer or by guaranteed bank draft. NO PayPal, not any credit card for the merchandise!!!!! Only shipping charges can be paid by PayPal or all major credit cards! In case of an acquisition by submittance of a written order or online, the payment has to be settled within 8 days after the invoice date.

8)     The goods become the property of the purchaser only after the complete payment. The objects will only be delivered if the payment has been settled. Otherwise the goods are still the property of the consigner until complete payment. In case a payment does not reach the auctioneer in due time, the purchaser is liable without reminder for all resulting losses. Also without proof of a loss the interest for delay at the bank usual rate can be charged.

 

 9)    In case the payment is not settled in time or the objects are not taken, the auctioneer has the right either to demand the performance of the contract of purchase or can claim damages due to the non-performance. Independent from the above the auctioneer can also put this object for auction in one of the next auctions on cost of the purchaser. For the resale in the auction the bidder is treated as supplier and has to pay the corresponding or­der commission as well as the tax to be paid on it. All transportation and storing costs as well as possible charges for the employment of additional workers, which result in connection with the above, will be de­ducted from the net profits. The remaining profit will be balanced on the date of the actual inpayment with the claim for damages acc. to § 367 BGB.

 

10)   The handing over of the objects bought in the auction is done at any time during and after the auction against presentation of the receipt. Invoices issued immediately after the auction are subject to the right of verification and possible corrections: errors excepted.

Bidders who are present at the auction must arrange the pick-up on the day of the auction. Otherwise the objects will be stored on account and risk of the purchaser without any further notice. The auctioneer does not bear the risk of storing.

 

11)   Each shipment is carried out on the account and risk of the purchaser. Insurance possible on request.

 

12)   Bidder orders are handled with great care; a guarantee for its setting up for auction can only be ensured if the written bidding order has reached the auctioneer latest at 12:00 am (noon) two days before the auction. The bidders un­known to the auctioneer are kindly asked to provide a satisfactory security before the auction.

 

13)   The legal relation is based on the German law. Place of performance and legal venue for the mutual trade busi­ness is Cologne.

 

14)   The visitor accepts the above conditions explicitly by his participation in the auction or by his offer.

 

                                                Auction Team Breker


                                                   – Astrid & Uwe Breker –

 

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