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6

Ahmed Parvez (1926-1979) Diya

In Modern and Contemporary South Asian Art Online

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Ahmed Parvez (1926-1979) Diya signed and dated 'Parvez 79' lower right and titled 'Diya' in Urdu above it oil pastels on paper, framed 53.1 x 35.1cm (20 7/8 x 13 13/16in). Footnotes: Provenance Property from the collection of Orooj Ahmed Ali, Pakistan. Acquired from the Collection of Mrs. Nighat Hussain who acquired this work in addition to a further 25 from Mr. Ali Imam of the Indus Gallery, Karachi. '1952 was the year that Ahmed Parvez's life began in earnest. He was a self taught artist, just twenty four years old when he was awarded the University Shield for Men at the annual All Punjab Art Exhibition. His contribution had been pastel pictures worked with children's chalk on printed newspaper. Parvez became one of the Lahore Group, who studied contemporary art with Shakir Ali, and after exhibiting his work in major cities in Pakistan, he set off for London in 1955; but he was to undergo years of frustration before his work was shown at a major gallery. When it happened his solo exhibition elicited encouraging reviews from the Press: The Times, Guardian, The Arts Review and Victor Musgrove. Dom Moraes wrote: 'The delicate and strange paintings of Mr. Parvez remind me of no one as much as Klee; but there is a certain weirdness, and, as it were, tapering off into another reality about these paintings that is wholly his own.' Paradoxically, just when success beckoned Parvez, after undergoing years of struggle turned his back on London and returned to Pakistan. This behaviour appeared as a leitmotif in his life, he was to repeat this pattern of behaviour in New York some years later. In Pakistan, Parvez's work excited admiration; he was primarily a colourist with a very personal, vibrant, explosive approach. The lyrical, linear beauty he painted was far beyond the 'decorative'. His volatile personality earned him detractors, but there was no greater critic of Ahmed Parvez's work than the artist himself. He was the first and only artist at that time to live an artist's life, depending on the sale of his work and following the path of a Bohemian. Perhaps for this reason the award that should have been his years earlier was late in coming. In 1978, he was awarded the President's Medal for Pride of Performance, but the end was in sight, some months later he died of a brain haemorrhage in 1979.' Marjorie Husain, May 2011 Compiler and Editor Ahmed Parvez, Karachi, 2004. This lot is subject to the following lot symbols: * AR * VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium. AR Goods subject to Artists Resale Right Additional Premium. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

Ahmed Parvez (1926-1979) Diya signed and dated 'Parvez 79' lower right and titled 'Diya' in Urdu above it oil pastels on paper, framed 53.1 x 35.1cm (20 7/8 x 13 13/16in). Footnotes: Provenance Property from the collection of Orooj Ahmed Ali, Pakistan. Acquired from the Collection of Mrs. Nighat Hussain who acquired this work in addition to a further 25 from Mr. Ali Imam of the Indus Gallery, Karachi. '1952 was the year that Ahmed Parvez's life began in earnest. He was a self taught artist, just twenty four years old when he was awarded the University Shield for Men at the annual All Punjab Art Exhibition. His contribution had been pastel pictures worked with children's chalk on printed newspaper. Parvez became one of the Lahore Group, who studied contemporary art with Shakir Ali, and after exhibiting his work in major cities in Pakistan, he set off for London in 1955; but he was to undergo years of frustration before his work was shown at a major gallery. When it happened his solo exhibition elicited encouraging reviews from the Press: The Times, Guardian, The Arts Review and Victor Musgrove. Dom Moraes wrote: 'The delicate and strange paintings of Mr. Parvez remind me of no one as much as Klee; but there is a certain weirdness, and, as it were, tapering off into another reality about these paintings that is wholly his own.' Paradoxically, just when success beckoned Parvez, after undergoing years of struggle turned his back on London and returned to Pakistan. This behaviour appeared as a leitmotif in his life, he was to repeat this pattern of behaviour in New York some years later. In Pakistan, Parvez's work excited admiration; he was primarily a colourist with a very personal, vibrant, explosive approach. The lyrical, linear beauty he painted was far beyond the 'decorative'. His volatile personality earned him detractors, but there was no greater critic of Ahmed Parvez's work than the artist himself. He was the first and only artist at that time to live an artist's life, depending on the sale of his work and following the path of a Bohemian. Perhaps for this reason the award that should have been his years earlier was late in coming. In 1978, he was awarded the President's Medal for Pride of Performance, but the end was in sight, some months later he died of a brain haemorrhage in 1979.' Marjorie Husain, May 2011 Compiler and Editor Ahmed Parvez, Karachi, 2004. This lot is subject to the following lot symbols: * AR * VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium. AR Goods subject to Artists Resale Right Additional Premium. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

Modern and Contemporary South Asian Art Online

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Stichworte: Contemporary Art