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William Mulready, RA (British, 1786-1863) Lending a bite
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Beschreibung
William Mulready, RA (British, 1786-1863) Lending a bite signed with monogram and dated '1819' (lower left) oil on panel 78.5 x 67.5cm (30 7/8 x 26 9/16in). Footnotes: Provenance Earl Grey. Thomas Miller by 1864. T. Horrocks Miller by 1889. Thomas Pitt Miller. His sale, Christie's, 26 April 1946, lot 92 (bought by Mitchell). Anon. sale, Christie's, 11 November 1966, lot 107 (bought by M. Benjamin). Anon. sale, Sotheby's, Gleneagles, 29 August 1969, lot 252 (bought Wellington Sloane). Anon. sale, Sotheby's, Belgravia, 29 June 1976, lot 63. Exhibited London, Royal Academy, 1819, no. 143. London, Royal Academy, Exhibition of Works by The Old Masters and by Deceased Masters of the British School, Winter Exhibition, 1889, no. 15 (lent by T. Horrocks Miller). London, Victoria & Albert Museum, William Mulready: 1786-1863, 1 July - 12 October 1986, no. 76 (also at the National Gallery of Ireland, Dublin and the Ulster Museum, Belfast, Autumn/Winter 1986/7). Literature Mulready's account book, 1818 & 1819 (Victoria and Albert Museum Library, London): 'Nov. 6 Earl Grey Lending a Bite £210 half done in 1818 but entirely repainted'. F. G. Stevens, Memorials of William Mulready, R.A., London, 1890, pp. 64 & 85. Marcia Pointon, William Mulready: 1786-1863, Victoria & Albert Museum, London, 1986, cat. no. 130, pp. 122 & 157, illustrated. Kathryn Moore Heleniak, William Mulready, Yale University Press, 1980, cat. no. 97, pl. 179, pp. 200-201, illustrated. A stunning example of Mulready's narrative painting, the present work drew great praise from contemporary critics, one noting that 'In painting, that is in execution, we think [Mulready] the first of his class in England, and cite this picture as proof'1. As Marcia Pointon notes, the artist 'makes effective use of profile and the transaction with the apple so cautiously dealt with in the foreground is reiterated both in the group partially seen in the complex gap between the pair of protagonists and in the figure of the girl by the well'2. The Victoria and Albert Museum and Whitworth Art Gallery hold a number of preparatory studies of the present work. 1Annals of the Fine Arts, 1819, p. 308. 2Marcia Pointon, William Mulready: 1786-1863, London, 1986, p. 157. This lot is subject to the following lot symbols: * * VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
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William Mulready, RA (British, 1786-1863) Lending a bite signed with monogram and dated '1819' (lower left) oil on panel 78.5 x 67.5cm (30 7/8 x 26 9/16in). Footnotes: Provenance Earl Grey. Thomas Miller by 1864. T. Horrocks Miller by 1889. Thomas Pitt Miller. His sale, Christie's, 26 April 1946, lot 92 (bought by Mitchell). Anon. sale, Christie's, 11 November 1966, lot 107 (bought by M. Benjamin). Anon. sale, Sotheby's, Gleneagles, 29 August 1969, lot 252 (bought Wellington Sloane). Anon. sale, Sotheby's, Belgravia, 29 June 1976, lot 63. Exhibited London, Royal Academy, 1819, no. 143. London, Royal Academy, Exhibition of Works by The Old Masters and by Deceased Masters of the British School, Winter Exhibition, 1889, no. 15 (lent by T. Horrocks Miller). London, Victoria & Albert Museum, William Mulready: 1786-1863, 1 July - 12 October 1986, no. 76 (also at the National Gallery of Ireland, Dublin and the Ulster Museum, Belfast, Autumn/Winter 1986/7). Literature Mulready's account book, 1818 & 1819 (Victoria and Albert Museum Library, London): 'Nov. 6 Earl Grey Lending a Bite £210 half done in 1818 but entirely repainted'. F. G. Stevens, Memorials of William Mulready, R.A., London, 1890, pp. 64 & 85. Marcia Pointon, William Mulready: 1786-1863, Victoria & Albert Museum, London, 1986, cat. no. 130, pp. 122 & 157, illustrated. Kathryn Moore Heleniak, William Mulready, Yale University Press, 1980, cat. no. 97, pl. 179, pp. 200-201, illustrated. A stunning example of Mulready's narrative painting, the present work drew great praise from contemporary critics, one noting that 'In painting, that is in execution, we think [Mulready] the first of his class in England, and cite this picture as proof'1. As Marcia Pointon notes, the artist 'makes effective use of profile and the transaction with the apple so cautiously dealt with in the foreground is reiterated both in the group partially seen in the complex gap between the pair of protagonists and in the figure of the girl by the well'2. The Victoria and Albert Museum and Whitworth Art Gallery hold a number of preparatory studies of the present work. 1Annals of the Fine Arts, 1819, p. 308. 2Marcia Pointon, William Mulready: 1786-1863, London, 1986, p. 157. This lot is subject to the following lot symbols: * * VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
The Guy Bailey Collection of Victorian Art
Auktionsdatum
Ort der Versteigerung
101 New Bond Street
London
United Kingdom
W1S 1SR
United Kingdom
...
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