Pierre Bonnard (1867-1947), Promenade des nourrices, frise des fiacres , 1899, suite de 4 lithographies en cinq couleurs, monogrammée P.B. , 149 x 189 cm (à vue)Provenance : Collection Jean-Pierre CassigneulBibliographie : Francis Bouvet, Bonnard: l'oeuvre gravé, Paris, Flammarion, 1981, p.68, n°55, ill. pp. 69-71, Claude Roger-Marx, Bonnard lithographe, Monte-Carlo, André Sauret éditions du livre, 1952, p.91, n°47, ill. pp. 92-93.Pierre Bonnard (1867-1947) - Promenade des nourrices, frise des fiacres Influencé par les estampes japonaises et le style des maîtres de l'ukiyo-e découverts lors d'une exposition à l'École des Beaux-arts en 1890, Pierre Bonnard s'intéresse dès ses débuts au format des panneaux. Qu'il les traite en série avec les Femmes au jardin de 1891 ou sous la forme de son Ensemble champêtre de 1894, sa réflexion aboutit à l'utilisation du paravent en 1897 avec la Promenade des nourrices.Fruit d'un travail ambitieux en cours dès 1894, cette réalisation est tout d'abord exécutée par le peintre en un seul tableau proposant une composition croquée sur le vif peinte à la détrempe. Trois ans après cette première tentative picturale, Bonnard choisit la lithographie à cinq couleurs comme medium pour cette composition au thème familier des jardins publics. La surface laissée nue permet aux motifs de s'organiser sur plusieurs plans. Les silhouettes rythment la scène et apportent un dynamisme jovial au travers des deux garçonnets poursuivant leurs cerceaux tandis que les nourrices immobiles et la frise de fiacres jouent de la surface plane des quatre feuilles et apportent une illusion de profondeur.L'oeuvre, éditée et vendue en feuilles détachées ou montées en paravent, devient ainsi un objet utile dans l'usage quotidien et se fait l'expression artistique de la recherche des nabis, à savoir l'art comme élément à part entière de la vie domestique.Collection Jean-Pierre Cassigneul - Peintre et collectionneurJean-Pierre Cassigneul, né en 1935 à Paris, est un peintre français qui grandit au coeur de la haute couture, entouré par l'univers de la maison Jean Dessès fondée par son grand-père.Très tôt, il s'imprègne de l'élégance, des couleurs, des motifs et des textures qui se retrouvent dans son oeuvre. Diplômé des Beaux-Arts, il connaît une ascension rapide grâce notamment à sa rencontre déterminante avec le marchand d'art japonais Kiyoshi Tamenaga, qui lui achète plusieurs oeuvres lors de l'une de ses premières expositions. Le succès international de ses oeuvres en Asie, notamment au Japon où il devient un véritable phénomène dès les années 70, et aux États-Unis, témoigne de la pérennité de son style et de son influence. Tout au long de sa carrière, il a pris plaisir à nouer des amitiés durables avec des artistes de son époque, comme Bernard Buffet et Marcel Fleiss.Douceur de Mai est une toile réalisée dans les années 1980 qui met en scène un vocabulaire en tout point représentatif de la démarche artistique du peintre. La femme est au coeur de sa peinture et elle se pare le plus souvent des plus beaux atouts : soit du bleu serein d'un paysage marin ou lacustre, soit d'une nature luxuriante d'un jardin aux mille fleurs. La recherche d'une élégance mystique, personnifiée par une figure féminine immuable et raffinée dans des décors intemporels, est un leitmotiv dans son oeuvre. À travers ses toiles, Jean-Pierre Cassigneul tisse un dialogue subtil entre la beauté classique et une modernité délicate, prenant ses distances avec les courants dominants et avant- gardistes tout en les réinterprétant à sa manière.Cette toile n'a jamais été présentée sur le marché et provient de sa collection personnelle, qui regroupe très peu de ses réalisations. Peintre et collectionneur, Jean-Pierre Cassigneul a pris soin de s'entourer d'oeuvres d'artistes qu'il affectionne et de techniques novatrices pour leur époque, acquises dans des galeries et des ventes de renom. Cela comprend notamment des séries lithographiques de peintres nabis comme Bonnard (lot 22 et 23) ou Vuillard, qu'il admirait pour leur traitement de la couleur et la force de suggestion de leur travail, ou encore le bronze de González (lot 32) qui reprend son thème de prédilection : la figure féminine.
VIEWING
6-8 December from 12PM until 7PM
Rue Prevost-Martin 44 et 51, Geneva, Switzerland
PAYMENT AND COLLECTION OF LOTS IN GENEVA
Friday 13 December from 11am until 5pm
Saturday 14 December from 10am until 2pm
Monday 16 December from 11am until 5pm
Art. 12 Payments: Piguet Hotel des Ventes is free to accept or refuse payment by credit card. Debit and credit cards may incur handling charges of between 1% and 3% (plus VAT) of the total bill.
Art. 15 Unless otherwise specified, storage fees at a minimum of CHF50 per month and per object will be charged for any lot that has not been collected by the buyer within 7 days following the auction. These lots will be sent into storage at the expense and risk of the buyer. The buyer expressly agrees that the unclaimed lot becomes the property of Hôtel des Ventes and authorises the resale as soon as storage costs exceed the price of the low estimate (in the buyer's case) or the reserve price (in the vendor's case). L'acheteur ou le mandant acceptent expressément que l'objet non retiré devienne la propriété de HDV Hôtel des Ventes SA respectivement du transporteur et en autorise la remise en vente dès le moment où les coûts de stockage ou de transport mentionnés ci-dessus dépassent le prix d'estimation basse (acheteur)/prix de réserve (mandant).
Main Auction Sale
The participation in any of our auctions implies the unconditional acceptance of these Terms & Conditions of sale.
- Art. 1 The sale is executed strictly in cash, Swiss francs and without warranty. For administrative purposes, each buyer will be asked to give a proof of his/her identity in order to obtain an invoice at the end of the sale. Invoices can be settled at the end of each auction session. Buyers can settle the invoice via wire transfer, major credit/debit cards or cash. Payments in cash for an amount equal to or more than CHF 100'000 (one hundred thousand francs) will not be accepted. Personal or company cheques are not accepted.
- Art. 2 No more bids will be accepted after the hammer strike, unless otherwise communicated by the auctioneer. In case of a dispute at the time of the hammer strike, the auctioneer may at his discretion cancel and immediately put the lot back up for sale.
- Art. 3 The auctioneer, at his/her sole option, can: refuse any bid, move the bidding backwards or forwards in any way he/she decides; change the order of the lots, withdraw any lots, divide or combine any two or more lots, reopen or continue the bidding even after the hammer strike. The auctioneer may bid on behalf of the seller up to but not including the amount of the reserve either by making consecutive bids or by making bids in response to other bidders. In the event that the reserve price set by the seller is not reached, the auctioneer may deem such lot unsold and move on to the next lot by a single strike of the hammer. All unsold lots can be sold during the after-sale by respecting the reserve price limit.
- Art. 4 The successful bidder agrees to pay a buyer's premium at 25% of the hammer price on all lots purchased. VAT at 8.1% is charged on the buyer's premium, giving a total of 27.03% on the hammer price. No extra fee will be taken when bids are placed on the PIGUET ONLINE website or App. Every bid placed through our partner platforms Invaluable, DrouotOnline, ePaiLive, ArtFoxLive, LiveAuctioneers, Lot-tissimo and Lot-Art 5% (+VAT) extra fees will apply. The VAT will apply on the whole hammer price on every lot marked with an *. In case of a late payment, the auction house reserves the right to apply a debt fee of 1% on top of the invoice total.
- Art. 4a For buyers domiciled outside Switzerland, the Swiss VAT collected can be refunded upon presentation of proof of foreign principal residence (e.g. driving licence or identity card showing the same address as on the invoice). An administrative fee of CHF50 is charged for this service. For lots marked with an asterisk, VAT refunds are only possible on presentation of proof of export.
- Art. 5 Bidding must be placed by spoken voice or made by a distinctive sign unequivocally demonstrating the willingness to bid. The auctioneer, at his discretion, can refuse bids from unknown bidders. The minimum amount of an increment is 10%. However, the auctioneer may modify this rate by announcement.
- Art. 6 The viewing period allows the buyer to evaluate personally the condition and authenticity of the objects. Any dispute will not be allowed once the bidding is over. The objects are sold as seen at the time of bidding. To the best of our knowledge, all indications provided in the sale catalogue are correct; however the descriptions are only the expression of a professional opinion and do not constitute a guarantee. The catalogue may mention some damage to a lot without necessarily providing an exhaustive list. If the low estimate is CHF 1'000 or less there will be no mention of the object's condition. Condition reports are available upon request. Photographs, dimensions and weight are for indication only.**
- Art. 6a Foreign buyers shall always check the relevant customs laws and regulations before bidding on any lot containing wildlife material such as, but not only: ivory, tortoiseshell, crocodile skin, rhinoceros horn, or whalebone. Hôtel des Ventes pays particular attention to complete its due diligence duties to ensure that all the objects presented in the catalogue comply with our laws and regulations of Cultural Property (CPTA). However, we are under no obligation to cancel your purchase and refund the amount paid if your lot cannot be exported, imported or if seized by a government authority.
- Art. 7 Lots must be collected at the expense and sole risk of the buyer. To avoid delivery errors and complications in invoice settlement, no lot can be collected during the sale. Unless previously agreed, collection is not permitted before full payment of the invoice. Objects may be collected by the buyer according to the Payment and collection of lots as outlined at the front of the catalogue.
- Art. 8 Every visitor is responsible for any damages he may cause to any given object in the sale; he may be charged with an amount equal to the average of the object's estimate plus buyer's premium and VAT.
- Art. 9 All absentee bids are executed with care, discretion and offered as a service to our clients. Telephone bids are accepted from buyers already known to Hôtel des Ventes. In the case a telephone bidder cannot be reached due to technical error or other unforseen circumstances, Hôtel des Ventes reserves the right to award the lot to the telephone bidder on his behalf at the price equal to 50% of the high estimate, unless the reserve price is higher. These bidding services are offered as a courtesy to our clients and Hôtel des Ventes is not responsible for any error (human or otherwise), omission or breakdown in providing these services. Your request for this service must be made no later than 48 hours prior to the auction. Any cancellation of absentee/phone bids must be submitted in writing at least 24h before the start of the auction concerned. To be accepted, the cancellation must be acknowledged by the Hôtel des Ventes bidding office or the Court baliff overseeing the auction.
- Art. 10 Title of goods therefore any risk passes to the buyer the moment the hammer falls on a lot. However, ownership of a lot can only be assumed after full payment of the invoice. In case of non- payment after three days following the end of the sale, the buyer is liable to judicial prosecution. Cancellation of the sale will ensue after a 30 day period of non payment if instructed by the vendor however, all fees and other charges will still be due by the buyer.
We give no guarantees as to the condition of the frames and glass.
- Art. 11 Hôtel des Ventes reserves the right to refuse admission or participation in any auction or to reject any bids. Any persons obstructing or disrupting the auction will be subject to police sanctions.
- Art. 12 Payments: Piguet Hotel des Ventes is free to accept or refuse payment by credit card. Debit and credit cards may incur handling charges of between 1% and 3% (plus VAT) of the total bill.
- Art. 13 Hôtel des Ventes may publish, for advertising purposes, photographs of objects sold at auction in its own magazines and/or through other media channels.
- Art. 14 Any dispute concerning the sale is subject to Swiss law and is under the jurisdiction of the Canton of Geneva law courts, regardless of the town or country of residence of the involved parties.
- Art. 15 Unless otherwise specified, storage fees are at least CHF50 (+VAT) per month and per object will be charged for any lot that has not been collected within 8 days (buyers) and 30 days (sellers) of the last auction. These lots will be then sent into storage at the expense and risk of the buyer. The buyer expressly agrees that the unclaimed lot becomes the property of Hôtel des Ventes and authorises the resale as soon as storage costs exceed the price of the low estimate (in the buyer's case) or the reserve price (in the vendor's case).
NB: unless otherwise stated, the dimensions of paintings and furniture are indicated in centimetres and are written in this order: height x width x depth. Unless otherwise stated, books and watches are measured in millimeters. Carpets are old if they are more than 30 years old and antique if they are more than 80 years old.
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