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Colonial School. Probably from the Viceroyalty of Peru. Last quarter of the 18th century.
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Beschreibung
Colonial School. Probably from the Viceroyalty of Peru. Last quarter of the 18th century.Folding screen. Oil on canvas. Open measurements: 260 x 570 cm. Measurements of each section: 260 x 57 cm.The screen is composed of ten sections, decorated on both sides with descriptive scenes which draw on different influences. On one of the two faces, an urban scene is depicted in which, in the centre of the composition, there is a large and monumental fountain placed in a wide street with gardens in which people dressed in clothes of a Spanish taste are walking. Both sides of the street have architecture of varying types, which show the defining characteristics of Hispanic constructions. The entire scene is framed by a wide border made of scrolls and vegetation motifs which is very similar to the decoration found in pictorial work with a Hispanic origin from Latin America in colonial times.The folding screen was originally an entirely oriental piece of furniture which arrived in Europe via Latin America, where it was adopted, resulting in the creation of workshops that produced them especially in New Spain, where they became essential decorative pieces in the large New Hispanic houses. They are largely characterised by their great size and their painted decoration which covers historical, topographical and costumbrist themes. These characteristics are clearly appreciable on this screen, thus making it much closer to the screens of Hispanic origin.The other side is decorated with a large open landscape with architectural elements in which different scenes take place. The many characters which appear in the scenes, some dressed in courtly wear and others as artisans, undertake different activities, in different scenes with a clear French influence. The perimeter of the scene is edged with a moulded border painted in imitation of marble, making a frame.Within the mixed crowd, there are two highly interesting characters. On one side there is a Chinese high official who rides on the back of a horse with a singular cap and braid from the area and slanting eyes, which could be a hint as to the origin of our anonymous artist. On the other side, a feminine figure dressed typically in a Peruvian cap and cloak, while playing the flute. This can maybe give us another clue about our artist, and help us to work out the origin of this screen.Historians have often highlighted the importance that the Manila Galleon had on New Spanish art and culture. Teresa Castelló was certain that among the Japanese and Chinese people that settled in Latin America after those embassies had been installed, there would have been artisans who began to make folding screens, firstly on wood and then on canvas. It is possible that our screen was created by a Chinese artist who had been Christianised or Hispanicised in the Viceroyalty, or a New Spanish artist of a culturally mixed background.Based on the studies on the notarial inventories of the city of Lima during the 18th century, it is known the importance that the folding screens had among domestic furnishings in the Viceroyalty of Peru, not only in New Spain.During the 18th century, as well as establishing the production of folding screens in New Spain and exporting them to the rest of the Americas and Europe, local manufacturers must have appeared in other parts of Latin America, such as Peru, Guatemala and Colombia, which adapted themselves perfectly to local tastes and the materials commonly used in furniture-making in the area. The assimilation and reinterpretation of screens within Latin American material culture resulted in some original artistic dynamics which can be associated with creole taste and identity.Our folding screen currently forms part of a collection in Madrid. Its original state has been preserved as it has never been restored, although there is some slight damage which does not in any way alter the distinction of the piece.Provenance: - A palatial home in Extremadura. - Private collection, Madrid.
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AGB & Wichtige Informationen
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Colonial School. Probably from the Viceroyalty of Peru. Last quarter of the 18th century.Folding screen. Oil on canvas. Open measurements: 260 x 570 cm. Measurements of each section: 260 x 57 cm.The screen is composed of ten sections, decorated on both sides with descriptive scenes which draw on different influences. On one of the two faces, an urban scene is depicted in which, in the centre of the composition, there is a large and monumental fountain placed in a wide street with gardens in which people dressed in clothes of a Spanish taste are walking. Both sides of the street have architecture of varying types, which show the defining characteristics of Hispanic constructions. The entire scene is framed by a wide border made of scrolls and vegetation motifs which is very similar to the decoration found in pictorial work with a Hispanic origin from Latin America in colonial times.The folding screen was originally an entirely oriental piece of furniture which arrived in Europe via Latin America, where it was adopted, resulting in the creation of workshops that produced them especially in New Spain, where they became essential decorative pieces in the large New Hispanic houses. They are largely characterised by their great size and their painted decoration which covers historical, topographical and costumbrist themes. These characteristics are clearly appreciable on this screen, thus making it much closer to the screens of Hispanic origin.The other side is decorated with a large open landscape with architectural elements in which different scenes take place. The many characters which appear in the scenes, some dressed in courtly wear and others as artisans, undertake different activities, in different scenes with a clear French influence. The perimeter of the scene is edged with a moulded border painted in imitation of marble, making a frame.Within the mixed crowd, there are two highly interesting characters. On one side there is a Chinese high official who rides on the back of a horse with a singular cap and braid from the area and slanting eyes, which could be a hint as to the origin of our anonymous artist. On the other side, a feminine figure dressed typically in a Peruvian cap and cloak, while playing the flute. This can maybe give us another clue about our artist, and help us to work out the origin of this screen.Historians have often highlighted the importance that the Manila Galleon had on New Spanish art and culture. Teresa Castelló was certain that among the Japanese and Chinese people that settled in Latin America after those embassies had been installed, there would have been artisans who began to make folding screens, firstly on wood and then on canvas. It is possible that our screen was created by a Chinese artist who had been Christianised or Hispanicised in the Viceroyalty, or a New Spanish artist of a culturally mixed background.Based on the studies on the notarial inventories of the city of Lima during the 18th century, it is known the importance that the folding screens had among domestic furnishings in the Viceroyalty of Peru, not only in New Spain.During the 18th century, as well as establishing the production of folding screens in New Spain and exporting them to the rest of the Americas and Europe, local manufacturers must have appeared in other parts of Latin America, such as Peru, Guatemala and Colombia, which adapted themselves perfectly to local tastes and the materials commonly used in furniture-making in the area. The assimilation and reinterpretation of screens within Latin American material culture resulted in some original artistic dynamics which can be associated with creole taste and identity.Our folding screen currently forms part of a collection in Madrid. Its original state has been preserved as it has never been restored, although there is some slight damage which does not in any way alter the distinction of the piece.Provenance: - A palatial home in Extremadura. - Private collection, Madrid.
Millésime 22 · Medieval & Colonial Art
Auktionsdatum
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Wichtige Informationen
Millésime, (a French numeral which expresses the number "a thousand" for small and carefully made creations) is our desire to remember and celebrate once again, and at last, the roaring twenties of last century, with the return to a printed and meticulously prepared catalogue. It comprises a selection of works of art that have been chosen with care for their rarity, beauty, quality and also simply because we would like to make a gesture of thanks to everyone who has trusted us and our work over the last thirty years, and to those who make it possible for La Suite, our dream, to carry on.
With Millésime 22 we begin a series which we hope will repeat at the beginning of every year, at least throughout our beloved twenties.
Art, in all its facets, feeds the spirit and makes us better. Long live literature, music and art!
Dedicated to our marvellous daughter Lúa who gives sense to everything.
Beatriz du Breuil and Rafael Adrio
La Suite Subastas
AGB
CONDITIONS OF THE AUCTION:
I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.
II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.
III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.
IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.
V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.
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VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
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X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.
15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.
XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.
Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
