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Castillian School. Possibly Burgos. Renaissance. Circa 1530 - 1540.
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Beschreibung
Castillian School. Possibly Burgos. Renaissance. Circa 1530 - 1540.
"Saint Sebastian"
Carved and polychromed wooden sculpture.
122 x 38 x 21 cm
Saint Sebastian was one of the most celebrated saints during the Middle Ages, a popularity that continued into the Renaissance and the Baroque periods. It is not surprising that in most churches the saint is present, either as a sculpture or a painting. In the fantastic sculpture that we have here, the saint, a former Roman soldier, is shown in the most well-known episode of his hagiography: that of his martyrdom. Sebastian has been conceived by the anonymous sculptor with an extremely elongated canon and has been endowed with a certain idealised beauty, vaguely reminiscent of some creations of the ingenious Burgos Master, Diego de Siloe (ca. 1490-1563).
The piece is fully carved both on its front and back, although on the latter there are some small volumetric losses in the hands and hair. The plague-defying saint is depicted standing, with his legs in a slight contrapposto. The elongation of the limbs of his body, especially the legs, gives him remarkable elegance. He is completely pierced by arrows, with wounds on his legs, torso, and abdomen, although the arrows have disappeared, leaving only traces of blood flowing from the perforations they made. His hands are tied behind his back, so it appears as if he is pushing his torso forward. The prominent abdomen contrasts with the slender anatomy of his torso, in which the ribs and even the collarbones and shoulders can be discerned. The neck is extremely elongated and supports an oval head, elegantly tilted, and covered by a compact mane of hair from which one lock escapes, falling over the right shoulder. The face has delicate features: a prominent, sharp chin, a slightly open mouth with thin lips, a prominent nose with a straight profile, widely spread, half-open eyes, and curved eyebrows. The expression on the face is gentle and languid.
The nudity of his body is only veiled by the loincloth that covers his private parts and is decorated with various golden motifs, although some of them have been lost. The modelling of the cloth is smooth, as if glued to the body, and composed of curved folds. The bow or knot is located at the right hip.
The sculpture, which rests on a square pedestal, could be attributed to an anonymous master from Burgos, Spain, from the second quarter of the 16th century - perhaps between 1530-1540 - who may have been familiar with the work of Diego de Siloe, as indicated by the delicacy of execution combined with the slender canon. This elegance is not without a certain pathos, especially visible in the trunk and head.
We would like to thank Mr. Javier Baladrón, Doctor in Art History, for the identification and cataloguing of this sculpture.
Auktionsdetails
Versand
AGB & Wichtige Informationen
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Castillian School. Possibly Burgos. Renaissance. Circa 1530 - 1540.
"Saint Sebastian"
Carved and polychromed wooden sculpture.
122 x 38 x 21 cm
Saint Sebastian was one of the most celebrated saints during the Middle Ages, a popularity that continued into the Renaissance and the Baroque periods. It is not surprising that in most churches the saint is present, either as a sculpture or a painting. In the fantastic sculpture that we have here, the saint, a former Roman soldier, is shown in the most well-known episode of his hagiography: that of his martyrdom. Sebastian has been conceived by the anonymous sculptor with an extremely elongated canon and has been endowed with a certain idealised beauty, vaguely reminiscent of some creations of the ingenious Burgos Master, Diego de Siloe (ca. 1490-1563).
The piece is fully carved both on its front and back, although on the latter there are some small volumetric losses in the hands and hair. The plague-defying saint is depicted standing, with his legs in a slight contrapposto. The elongation of the limbs of his body, especially the legs, gives him remarkable elegance. He is completely pierced by arrows, with wounds on his legs, torso, and abdomen, although the arrows have disappeared, leaving only traces of blood flowing from the perforations they made. His hands are tied behind his back, so it appears as if he is pushing his torso forward. The prominent abdomen contrasts with the slender anatomy of his torso, in which the ribs and even the collarbones and shoulders can be discerned. The neck is extremely elongated and supports an oval head, elegantly tilted, and covered by a compact mane of hair from which one lock escapes, falling over the right shoulder. The face has delicate features: a prominent, sharp chin, a slightly open mouth with thin lips, a prominent nose with a straight profile, widely spread, half-open eyes, and curved eyebrows. The expression on the face is gentle and languid.
The nudity of his body is only veiled by the loincloth that covers his private parts and is decorated with various golden motifs, although some of them have been lost. The modelling of the cloth is smooth, as if glued to the body, and composed of curved folds. The bow or knot is located at the right hip.
The sculpture, which rests on a square pedestal, could be attributed to an anonymous master from Burgos, Spain, from the second quarter of the 16th century - perhaps between 1530-1540 - who may have been familiar with the work of Diego de Siloe, as indicated by the delicacy of execution combined with the slender canon. This elegance is not without a certain pathos, especially visible in the trunk and head.
We would like to thank Mr. Javier Baladrón, Doctor in Art History, for the identification and cataloguing of this sculpture.
Y nos dieron las 100...
Auktionsdatum
Lose: 84
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Wichtige Informationen
This auction brings us to number 100!
On this special occasion, we present a careful selection of European and New Spanish works, including a previously unpublished painting by Luca Giordano, a magnificent private collection of medieval Spanish sculpture and wonderful examples of painting and sculpture from Spanish America art among other.
We hope you enjoy it as much as we did preparing it.
With our thanks to all those who have made it possible for us to get this far.
AGB
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From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
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From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
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From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
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