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27

Nicola Viso (attivo a Napoli prima della metà del XVIII secolo)

In From a Roman apartment and other commission

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Nicola Viso (attivo a Napoli prima della metà del XVIII secolo) - Bild 1 aus 4
Nicola Viso (attivo a Napoli prima della metà del XVIII secolo) - Bild 2 aus 4
Nicola Viso (attivo a Napoli prima della metà del XVIII secolo) - Bild 3 aus 4
Nicola Viso (attivo a Napoli prima della metà del XVIII secolo) - Bild 4 aus 4
Nicola Viso (attivo a Napoli prima della metà del XVIII secolo) - Bild 1 aus 4
Nicola Viso (attivo a Napoli prima della metà del XVIII secolo) - Bild 2 aus 4
Nicola Viso (attivo a Napoli prima della metà del XVIII secolo) - Bild 3 aus 4
Nicola Viso (attivo a Napoli prima della metà del XVIII secolo) - Bild 4 aus 4
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Milan, Italy
Nicola Viso (attivo a Napoli prima della metà del XVIII secolo)Paesaggio arcadico in riva al mare Olio su tela 85,5 x 114 cmPaesaggista, Nicola Viso è ricordato dal De Dominicis per un confronto con Michele Pagano. Nel suo Paesaggio con ruderi, datato 1724, egli mostra un radicamento nei modi di Salvator Rosa, con un senso convulso dell’aspetto naturale ed accenni all’arte del Coccorante. L’artista ha unito la tematica paesaggistica con la veduta ideata con rovine, nonché la veduta marina sui modelli degli olandesi. Assieme a Michele Pagano, Gaetano Martoriello, Francesco Graziani, Leonardo Coccorante, Gennaro Greco faceva parte dell’esigua squadra di paesaggisti, inteso nel significato più ampio del termine visto gli ultimi due furono rovinisti, che a Napoli cercarono di esprimere, non felicemente compresi, questa nuova e partecipata visione della natura. Nell’opera in esame, traspare la matrice romana, la quale evidenzia la sua conoscenza di Gaspard Dughet, Jan Frans van Bloemen, Jacob de Heusch. Il Viso ha un linguaggio pittorico assolutamente originale, la sua pennellata è tanto breve quanto vibrante nel acceso gioco cromatico.Nicola Viso (active in Naples before the mid-18th century)Arcadian Landscape by the Sea Oil on canvas 85,5 x 114 cmIn the artwork under scrutiny, the Roman matrix shines through, highlighting his knowledge of Gaspard Dughet, Jan Frans Van and Jacob de Heusch. Viso has an absolutely original pictorial language, its brushstroke is as brief as it is vibrant in its heated play of colour: the result is a pictorial surface that resembles embroidery executed with dense touches of colour
Nicola Viso (attivo a Napoli prima della metà del XVIII secolo)Paesaggio arcadico in riva al mare Olio su tela 85,5 x 114 cmPaesaggista, Nicola Viso è ricordato dal De Dominicis per un confronto con Michele Pagano. Nel suo Paesaggio con ruderi, datato 1724, egli mostra un radicamento nei modi di Salvator Rosa, con un senso convulso dell’aspetto naturale ed accenni all’arte del Coccorante. L’artista ha unito la tematica paesaggistica con la veduta ideata con rovine, nonché la veduta marina sui modelli degli olandesi. Assieme a Michele Pagano, Gaetano Martoriello, Francesco Graziani, Leonardo Coccorante, Gennaro Greco faceva parte dell’esigua squadra di paesaggisti, inteso nel significato più ampio del termine visto gli ultimi due furono rovinisti, che a Napoli cercarono di esprimere, non felicemente compresi, questa nuova e partecipata visione della natura. Nell’opera in esame, traspare la matrice romana, la quale evidenzia la sua conoscenza di Gaspard Dughet, Jan Frans van Bloemen, Jacob de Heusch. Il Viso ha un linguaggio pittorico assolutamente originale, la sua pennellata è tanto breve quanto vibrante nel acceso gioco cromatico.Nicola Viso (active in Naples before the mid-18th century)Arcadian Landscape by the Sea Oil on canvas 85,5 x 114 cmIn the artwork under scrutiny, the Roman matrix shines through, highlighting his knowledge of Gaspard Dughet, Jan Frans Van and Jacob de Heusch. Viso has an absolutely original pictorial language, its brushstroke is as brief as it is vibrant in its heated play of colour: the result is a pictorial surface that resembles embroidery executed with dense touches of colour

From a Roman apartment and other commission

Auktionsdatum
Lose: 620
Ort der Versteigerung
Sede Legale
Via Nino Bixio, 32
Milan
Italy
20129
Italy

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AGB

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12) Right of Action:

With Legislative Decree 118 of 13/2/2006 is in force since April 9, 2006 in Italy the "Right of Action" that is, the right of the author (living or deceased for less than 70 years) of works of arts and manuscripts should receive a percentage of the sale price of the originals of their works during the subsequent sales. This right shall be borne by the seller and will be calculated on the hammer price greater than or equal to € 3,000.00. This right may not exceed €12,500.00 per lot. The fee is payable for each lot is so determined:

 

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Exporting goods from the Italian Republic is subject to the norms contained in DL. No 29110/99. 490 (article. 65-72). Obtaining certificates of release tofree circulation cargo is the responsibility of the purchaser. Lack of, or a delayed release of, any license, even if two notifications to the State fromoccurring after a sale, does not Constitute cancellation of the sale, nor does it justify delayed payment for goods or payment for less than the total amounttwo .

 

 

Vollständige AGBs

Stichworte: Leonardo Coccorante, Gaspard Dughet, Landscape Painting, Landscape, Öl Gemälde, 15th-18th Century Art