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Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C.

In Fine Asian and European Art

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Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 1 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 2 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 3 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 4 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 5 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 6 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 7 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 8 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 9 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 10 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 11 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 12 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 13 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 14 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 15 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 16 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 17 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 18 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 19 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 20 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 21 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 22 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 1 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 2 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 3 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 4 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 5 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 6 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 7 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 8 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 9 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 10 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 11 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 12 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 13 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 14 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 15 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 16 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 17 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 18 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 19 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 20 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 21 aus 22
Jan Anton Garemijn (Bruges, 1712-1789): 'Putto with Parrot', oil on canvas, 18th C. - Bild 22 aus 22
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<br>Dim.: 87,5 x 127 cm (the frame)<br>Dim.: 75 x 114 cm (the work)<br><br>

<br>This painting has been described in the article 'Een salonstuk van Jan Garemijn met putto, papegaai en vruchten' by art historian Dr. Ronald van Belle in Biekorf: West-Vlaams Archief voor Geschiedenis, Archeologie, Taal- en Volkskunde, Episode 2, 2024. Below is the translation of the article: <br><br><strong>A Salon Piece by Jan Garemijn with Putto, Parrot, and Fruits</strong><br><br>

<br><strong>THE BACKSTORY</strong><br><br>

<br>About thirty years ago, I came into contact with a noble family with Bruges roots. This connection developed into a long-lasting friendship. Among the antiques passed down through generations, there was one painting that particularly caught my attention (fig. 1). The canvas, depicting a putto and fruits, bore no signature; it was painted in a style that pointed to Bruges and reminded me of the 18th-century Bruges painter Jan Garemijn. This was confirmed by the owner. Originally, there were two paintings that were closely related; the second painting was signed by Garemijn. When the parents passed away, the antiques were divided between two heirs, and thus the canvases became separated.<br><br>

<br>Some time later, my mother spoke with the owner of the signed piece about my interest in antiques and the signed Garemijn. I was invited for supper and received an extensive guided tour of the antique collection, from the ground floor to the upstairs rooms. Indeed, there was the signed Garemijn, proudly displayed in the bedroom above the owner's bed. The owner insisted on staying in touch. My busy professional life, with many trips abroad, made time fly, and the plan to take a photo of the painting never materialized. A few years later, both owners passed away.<br><br>

<br>After some time, the heir who had become the owner of the unsigned work considered selling it. I was asked for advice and, in that context, I mentioned the other painting that does bear Garemijn's signature. This was unknown to him, and the idea grew to reunite the two paintings. I then contacted the heirs of the Garemijn-signed canvas. Their surprise was great: they were unaware of this painting, and there was no trace of this 'Garemijn' anymore.<br><br>

<br>The villa had remained unoccupied for months after the death of the owner of the signed piece, who had no children. Only a few people had access at the time. It took months for all the formalities to be completed and for the distribution to take place, but there was no longer any sign of the signed Garemijn. It remains a mystery what happened to this piece. The owner who had received me years earlier had stated that he was attached to the beautiful piece and that upon his death, 'the Garemijn would go to his nephew and nieces, who would then have to decide its fate.' It's not surprising that the canvas was completely unknown, even to the family, as it was hung in the privacy of the owner's bedroom.<br><br>

<br>The Reunion of both Garemijn Paintingsis not possible<br><br>

<br>Reuniting the two Garemijn paintings is no longer possible. Nevertheless, the unsigned piece has since received a thorough cleaning, further showcasing the great talent of Jan Garemijn as a painter of salon pieces. During the cleaning, it was discovered that beneath the current image, there is a hidden portrait of a woman. The owner has now decided to offer the piece at a public auction.<br><br>

 

<br>Dim.: 87,5 x 127 cm (the frame)<br>Dim.: 75 x 114 cm (the work)<br><br>

<br>This painting has been described in the article 'Een salonstuk van Jan Garemijn met putto, papegaai en vruchten' by art historian Dr. Ronald van Belle in Biekorf: West-Vlaams Archief voor Geschiedenis, Archeologie, Taal- en Volkskunde, Episode 2, 2024. Below is the translation of the article: <br><br><strong>A Salon Piece by Jan Garemijn with Putto, Parrot, and Fruits</strong><br><br>

<br><strong>THE BACKSTORY</strong><br><br>

<br>About thirty years ago, I came into contact with a noble family with Bruges roots. This connection developed into a long-lasting friendship. Among the antiques passed down through generations, there was one painting that particularly caught my attention (fig. 1). The canvas, depicting a putto and fruits, bore no signature; it was painted in a style that pointed to Bruges and reminded me of the 18th-century Bruges painter Jan Garemijn. This was confirmed by the owner. Originally, there were two paintings that were closely related; the second painting was signed by Garemijn. When the parents passed away, the antiques were divided between two heirs, and thus the canvases became separated.<br><br>

<br>Some time later, my mother spoke with the owner of the signed piece about my interest in antiques and the signed Garemijn. I was invited for supper and received an extensive guided tour of the antique collection, from the ground floor to the upstairs rooms. Indeed, there was the signed Garemijn, proudly displayed in the bedroom above the owner's bed. The owner insisted on staying in touch. My busy professional life, with many trips abroad, made time fly, and the plan to take a photo of the painting never materialized. A few years later, both owners passed away.<br><br>

<br>After some time, the heir who had become the owner of the unsigned work considered selling it. I was asked for advice and, in that context, I mentioned the other painting that does bear Garemijn's signature. This was unknown to him, and the idea grew to reunite the two paintings. I then contacted the heirs of the Garemijn-signed canvas. Their surprise was great: they were unaware of this painting, and there was no trace of this 'Garemijn' anymore.<br><br>

<br>The villa had remained unoccupied for months after the death of the owner of the signed piece, who had no children. Only a few people had access at the time. It took months for all the formalities to be completed and for the distribution to take place, but there was no longer any sign of the signed Garemijn. It remains a mystery what happened to this piece. The owner who had received me years earlier had stated that he was attached to the beautiful piece and that upon his death, 'the Garemijn would go to his nephew and nieces, who would then have to decide its fate.' It's not surprising that the canvas was completely unknown, even to the family, as it was hung in the privacy of the owner's bedroom.<br><br>

<br>The Reunion of both Garemijn Paintingsis not possible<br><br>

<br>Reuniting the two Garemijn paintings is no longer possible. Nevertheless, the unsigned piece has since received a thorough cleaning, further showcasing the great talent of Jan Garemijn as a painter of salon pieces. During the cleaning, it was discovered that beneath the current image, there is a hidden portrait of a woman. The owner has now decided to offer the piece at a public auction.<br><br>

 

Fine Asian and European Art

Auktionsdatum
Lose: 1-620
Lose: 620-1200
Ort der Versteigerung
Genthof 9
Brugge
8000
Belgium

 

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Wichtige Informationen

The sale is held on October 16 & 17 and starts at 9:30 AM on both days. 

High-resolution images can be found on our website: www.rm-auctions.com.

Need urgent assistance? Call us on +3250343603.

The absence of a condition report does not imply that a lot is in perfect condition.
Condition reports are provided on request.
They will be made available, together with additional images, on our website at www.rm-auctions.com.

Condition reports are given as a service, we can not be held liable for errors in such a report.

The full list of condition reports for this sale is available on the following URL: https://www.rm-auctions.com/en/condition-report/82

Important information concerning the buyer's premium:
Sales commission is 30%, all taxes included. This means that the final price to be paid will be the hammer price plus 30% of the hammer price + sales commission from the platform.

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AGB

TERMS OF SALE

  • The sale is conducted by:

    Rob Michiels Auctions

    RM-Auctions bv
    Address: Genthof 9, 8000 Bruges, Belgium
    VAT: BE 1003.040.178
 
    Tel.: +32(0)50 343603
    E-mail: info@rm-auctions.com
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  • By taking part in our sales any person agrees to these condition, be it directly through us or through one of our partners which allow bidders to bid with us.

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  • Any arising dispute shall only be governed by the Belgian law and only the justice court in Bruges, Belgium, can deal with these disputes.

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Stichworte: Oil on Canvas, Portrait Painting, Öl Gemälde, Portrait